- #Wavelab 6 ddp how to#
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I think you are most likely looking for a DAW, which would be the next logical step up from garageband and should be sufficient for some time to come. It seems that WaveLab users are on their own for delivering the DDP installer to their clients. I'd say for a real mastering engineer, the specialized tools and concentrated workflow of Wavelab would be beneficial, but money out the window for anyone who didn't know what to do with it.Īs a rule of thumb I'd say know what you need, what's included in the software, and how that is going to help you better than a competitors product. If not than some dynamics processing and equalization on the master bus of your track in your DAW will be sufficient. I would then kick myself for spending ~£500 on Wavelab instead of ~£100 for a Soundforge upgrade.I would say if you plan on making a commercial release and can afford it, send your mixes to a Mastering Engineer (Who may or may not use something like Wavelab). Of course, I also need to consider the fact that at some point there wil be a Soundforge 11 update, which may well add some or all of these features. options in Acon Digital Media's Acoustica editor, and some amazingly powerful spectral editing options in Magix Audio Cleaning Lab (that's a tip I picked up on these forums IIRC!) Obviously having it all in one place in Wavelab would be more convenient, but would it also be significantly better?
#Wavelab 6 ddp plus#
I currently get by with the stuff in Soundforge, plus some suprisingly useful de-noising / de-clipping etc. Does anyone here use these? How good are they? So, given that I already have various audio editors and DAWs that I am happy with, plus a large collection of plug-ins, it seems the main thing that Wavelab would bring to my party other than DDP export is the cleaning / restoration functions. I don't like dongles, so I'm going to need a good reason! Based on the approved WaveLab mastering solution, the WaveLab Elements highlights proven editing and analysis tools, a valuable selection of restoration and mastering plug-ins, a CD. apparently I can't even try the demo without buying a hardware dongle. WaveLab Elements 8 is a complete audio editing and mastering software, perfectly tailored to hobby musicians, radio freelancers and home studio owners. I wonder how hard it would be to create an automatic converter utility.? Out of interest, what's your work-flow? Do you lay out the disc in DDP Creator, or just add IDs etc? Or do you import the project in some way?Īnother idea I had was to try importing cue sheets exported from CD Architect, but they weren't compatible and I didn't have time to try manually re-formatting. You just have to find a work flow that is compatible with it.
#Wavelab 6 ddp full#
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#Wavelab 6 ddp professional#
Wavelab is a professional audio editor used by engineers, producers and musicians, and developed. Thanks for the reply: good to know you use DDP Creator yourself. Wavelab is an appropriate tool to edit, restore and master your audio samples.
Or on the other hand, am I worryng about it too much? Maybe I should just burn two masters from CD Architect at 4x (the slowest my burner will go) and hope for the best? I'm hoping it will give me another crack at the demo! But is there anything else I should be looking at that I have overlooked? Everything else I've seen appears to be up in the Sequoia type price range, which I can't really justify at the moment!
I see there is a new version of DDP Creator available.
#Wavelab 6 ddp software#
but then again, Soundforge originally cost me about the same, and CD Architect was included! I'm reluctant to spend that kind of money on software that I found so frustrating, so I'm wondering if I should put it towards Wavelab instead? :rolleyes:Īnyway, I have another such project which is just waiting for the media catalogue number to be finished, and I can't decide whether to buy the Sonoris software or not. I didn't want to keep my client waiting, so in the end I used the import feature to import the preview disc I had burned from CD Architect, then swapped the wav file it ripped for my original. No doubt I was missing something, but even so: the software is pretty clunky and un-friendly compared to CD Architect.
#Wavelab 6 ddp how to#
But I couldn't work out how to accomplish the same thing in DDP Creator, which seemed to expect me to import each song as a separate wav. I usually lay out the whole CD in Reaper, export it as a single wav file, then use CD Architect just to add track IDS / ISRC codes etc. Last time around I used the demo version of …"]Sonoris DDP Creator=" …"]Sonoris DDP Creator, but to be honest I didn't enjoy the experience much. However, I do sometimes master projects destined for replication, and I would ideally like to provide these as DDP files. :redface: Generally this means polishing up home studio productions for myspace, or for small scale duplication, and I have been happily laying out CDs using CD Architect. I do a little low budget mastering from time to time.